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December 31,   2000
Xmas Message From Dave Sharp

Hey, everyone!

Well, here we are again. Another year over.

I'd like to thank everyone for showing up and
supporting the recent tour and activities in the UK.
It was great to see you all at the shows.

Things are going well to plan towards getting a new
record out 'round about March/April. Recording is
almost complete--I'm very happy with the results so
far. Can't wait to get it out to you folks.

In the meantime, I'm happy to report that I'll be out
on the East Coast beginning April to do some shows in
the New York area. I hope you'll all be able to
attend. There are plans underway for a possible
appearance at next year's Newport Folk Festival and
the New Orleans Jazz Festival. Watch this space for
details.

I hope you are all getting ready for a well-earned
Christmas vacation. Thanks again for all of your
support in 2000. Looking forward to seeing you in
2001.

Merry Christmas, Happy New Year!

Dave Sharp
Official website www.dave-sharp.co.uk

December 19,   2000
A big thank you!!!



A big thank you to all of you who showed your support to Mike and the boys
on the recent Second Generation Tour of the UK. The tour drew to a close with a
fantastic triplet of shows in London, Cardiff and Manchester.

The London show was filmed by a six camera shoot and will be available next
year through MPO's 21st Century Recording label... Cardiff was a fantastic 'home'town concert and Manchester was topped off with eleven year old Lewis McElroy being pulled off someone's shoulders in the moshpit and onto the stage by Mike where he joined Mike on an impromptu rap during The Stand (following on in
the tradition of infamous super fan, Barney Rubble). Lewis is from North
Wales band Xell whom Mike has been helping out recently! It was wonderful to see so many new and old faces popping up all over the country. Mike thoroughly enjoyed himself storming through The Alarm's hits and classics and is now all raring to go with new songs for 2001. In between his hectic schedule, Mike has been strumming and humming new songs at every possible moment. A few new songs were even checked out at soundchecks.Hopefully, this will mean a new album for 2001...

Thanks to all of you for all your support through the year 2000. We look forward to welcoming as many of you as possible to Wales next month at the Gathering 9 on the 12th and 13th - the ultimate 'delayed' New Year PARTY!!!! and in the meantime would like to wish you all a Happy Christmas and peaceful New Year

Love and life,

From all the folks @ MPO
xxxxxxxxxxxxxxxxxxxxx

December 19,   2000
Gathering News, Saturday Only Gathering Tickets

The Gathering 9 promises to be the best Gathering yet with Mike and the
band primed better than ever before. Expect the unexpected. Due to extra
demand for tickets, 100 extra Gathering tickets have been released. Please
call MPO now on 011 44 (0) 1745 571571 or email mpo@alarmpo.demon.co.uk if
you still wish to make your reservation. Weekend ticket price £26.

For those of you who are unable to attend the whole Gathering weekend, MPO
has been able to release 100 'Saturday night only' tickets priced at £13.
Please call MPO on 01745 571571 or email mpo@alarmpo.demon.co.uk if you wish
to make a reservation

December 19,   2000
Alarm In Guitarist Magazine

ALARM IN GUITARIST MAGAZINE!

Check out Guitarist magazine for a very interesting and informative
interview with Mike Peters... (a full transcipt of the interview will be available here in the New Year). Here's a taster...

Raise The Alarm...
Lost master tapes bound for the bin have been rescued by The Alarm's Mike Peters after a mammoth treasure hunt. The result, he tells Roger Newell, is a very personal tribute...

If you're one of the many who have been mourning the demise of The Alarm you can now rest a little easier. Front man Mike Peters is currently performing to packed houses in the U.S. on the back of the 'Alarm 2000 Collection' which has taken its own little miracle in pulling together. It's an assembly of the entire recorded history of the band. Researching and finding all that material has meant Peters has been immersed in a mountain of detective work. Job done, he is now offering every individual buyer a bonus CD with a personalised performance of him singing The Alarm song of their own choice...

"It was quite a situation to unravel because IRS records was licensed
through A&M and MCA, then after becoming independent was eventually bought by EMI, so I had to deal with all these corporations. When I tried to clear certain tracks nobody knew who owned what , then I worked out that every single recording was owned by EMI . What the other labels had was the right to the sequence of the songs, so I couldn't use the same running order as the original albums. I wasn't looking to do that so that was fantastic, but there was a lot of paper work missing . EMI had to dig into its archives to find out what stuff wasn't there.

I then went on a detective hunt to find a lot of the master tapes that EMI didn't have, although technically they owned them all. I must've interviewed every ex-employee of IRS between here and Los Angeles, for clues to the masters' whereabouts. I eventually found a security archive in Islington that had masses of stuff that they were about to throw out. It was obviously a treasure trove for EMI..." Mike Peters

December 18,   2000
Final Two "Dispatches From The Front"

Mike Peters' final update his diary of the current UK Tour is here. Read about the final two shows here: http://www.mikepetersweb.com/dispart.asp?id=236

December 18,   2000
"Dispatches From The Front", Mike Peters Alarm 2000 UK Tour Diary

Dispatches From the Front : One Step Closer To Home : Manchester
17.12.00


The final show of the tour. The longest day.

The wake up call was for 5.30 a.m. and by 6.30 I was being picked up at
Junction 32 of the M4 by the Pontypridd Manchester United Supporters Club
Coach for the journey to Manchester to see Man U v Liverpool (thanks to all
concerned). It was a very cold day and an early kick off meant I had to be
at the ground before 12.00. It wasn't the greatest match I've ever seen
although Liverpool played very some effective tactical football and
deservedly beat my boys 1-0. I then spent the rest of the day catching up on
some Christmas Shopping in town before heading to the gig for soundcheck.

Charlie Macintosh, guitarist from Dave Sharp's Hard Travellers, came down
with a message from Dave Sharp himself. Dave wanted Charlie to come up on
stage and thank everyone who had supported Dave on his solo tour.

Together, we decided to play a tribute to Sharpy and sing 'Change' in honour
of the man from Manchester who now resides in New Orleans. When Charlie came
on stage, it brought a lump to my throat when he thanked everyone on Dave's
behalf and also told the audience that Dave Sharp wanted to personally thank
me and the band for helping to keep the spirit of The Alarm alive in the new
millennium. This magnificent gesture on Dave's part has only strengthened my
resolve to follow this current musical path and see where it may lead.

The show was great. I was having flashbacks to the Sound And Fury tour of
1984. It was a similar tour to this one in the sense that we had been
touring the U.K. for years as a best kept secret and all of a sudden we had
a hit single on our hands, an album to be released and we were playing to
larger audiences.

At the time it was a real battle for us and we had to go out and prove
ourselves every night. A lot of UK fans accused us of 'selling out' once
'68' had charted. Some 'fans' used to take offence when a show would sell
out and they couldn't get on the guest list..... and when 'Declaration' came
out loads of 'fans' hated it. This is why I draw the comparison with the
Second Generation Tour and the Sound & Fury. It has been another rite of
passage. We have gone out and proved ourselves every night, we have played
with maximum R&B, sure I've been accused of 'selling out' again, but I know
I've answered the question time and again. I don't tire of playing this
music, I gain strength from it. 99.9% of the feed back from this tour has
been amazing.

That is why it was so heartwarming for me to hear those words from Dave
Sharp. To have Dave's support means everything to me and the fact that Dave
supports this tour and understands all the effort that has gone into it
means that the door is always open for him to join in whenever he feels the
need.

I don't know what the future holds, I never know what the future holds, I
play every show as if it is going to be my last, I write every song as if it
is going to be my last, I make every recording as if it will be my last. I
can sense that everything is changing and to survive change you often have
to do things that are difficult. You have to confront the cliches, you have
to be prepared to contradict yourself. You have to be prepared to make
decisions that are not popular, you have to do things in the short term that
are designed to protect the long term. You have to be prepared to take
chances.

In 1990-1991, my musical career path had become governed not by what I did
or was able to do, but more by what I didn't do. I'm trying not to make the
mistakes I made then - now. I don't know what my next album is going to
sound like or what or who it's going to be by. I might just put it out
without a title or an artist identity and you can call it what you
like......

See you at The Gathering

MP [signing off until further notice......]




Dispatches From The Front: We Are The New Rock'n'Roll London 15.12.00

The Alarm 2000. We are the new rock'n'roll......... controversial,
brilliant, in your face, up for murder, wanted, loved, hated, infuriating,
sublime, tight as ...., living it, loving it, rocking it, rolling it, we are
punk rock. We are by definition, a hot sweaty sound and fury, a fast furious
four piece outfit, we will challenge you to think again, we will rebuild, we
will remake, we will remodel, we are unsafe.

I can't believe that was London we played last night. It was not a London
audience. I know that it was a recommended gig in super cool Time Out (Shock
horror, but then again we are the new r'n'r....), but it was not a London
gig, it was not a check out crowd, it was a mass of energy. I've never
heard such singing from an audience, everybody knew every word (my words), I
reckon the sale of throat lozenges will have gone through the roof
throughout London today. it wouldn't surprise me if the headlines in the
London Standard read "Sore Throat Epidemic Hits London After Alarm Gig At
Shepherds Bush Empire".

I saw Pete Cole on someone's shoulders during 'Unsafe', I saw Andy Greenley
squashed down at the front, I saw people in T-Shirts from The Stand tour,
The first Poets tour, The Guts and Glory Tour, The Clash White Riot Tour,
Manic Street Preachers, Big Country, U2, Raw tour, Change Tour, Billy Bragg,
Levellers, Strength Tour and this was all in the front row. You see we are
the new rock'n'roll....... the sonic temple...... I don't care what anyone
says this is even better than the real thing. Get used to it, there won't be
any comebacks tomorrow.

I'm fired up at the moment, as you can surely tell. There is a new horizon
ahead, endless possibilities, a new optimism. Tear it all down, smash it all
up, break it all down then build it up. Rebuild your life, rebuild your
home, rethink your values, rethink yourself right through. Who knows what
the new year will bring..... the second generation...... in the poppy fields
- I remember.

I can't wait to start work on a new album now. But it's still great
reconnecting with my 'lost' audience, We've come too far to turn back now,
there's miles and miles to make up. Let's talk about tomorrow, when we've
lived through today.

I met loads of people last night after the show, who admitted to never
seeing The Alarm (First Generation), some were Cult fans who had come in
through seeing Coloursound, some were Big Country fans who had seen us for
the first time earlier in the year. Some were Saw Doctors fans, some fans of
The Stranglers, some were younger brothers of older sisters who wanted to
see for themselves.

You see, this whole tour has not just been founded on the events and
dramatis personnae of 1981-1991 but through ten further years of hard graft
that followed from 1992 onwards, from the very first Gathering and on
through countless acoustic / electric solo shows presenting familiar songs
in different light, developing lyrical trains of thought had begun in 1985
and adding to them in 1995, keeping the flame of hope alive when the
inheritors of the torch stood silent.

Through the phone lines and through the grapevine of the internet a whole
new audience was developed and amidst the flame wars that arose from time to
time, those who understood stayed strong for me, and most importantly for
the music. It's been an uphill battle, make no mistake. There has been no
major record company, no huge marketing and promotional budgets behind the
advances of the last ten years. It's all been achieved by a small
independent band of people united by one vision. A lot of people have made a
lot of sacrifices to get Mike Peters and The Alarm into the new millennium
and I thank everyone of you from the bottom of my heart.

I can see 2001 in the distance, expect the unexpected. We are the new
underground. We are the new resistance....... You have been warned.

See you in Cardiff,


MP



Dispatches From the Front: Rock and Roll and Classic cars Sheffield 10.12.00

A Rock'n' Roll Analogy: When you start a band it's like being a brand new
shiny vehicle until after a few years and newer models are introduced, all
of a sudden you become an old car, your price goes down, and nobody wants to
know. However, if you look after the car and keep it on the road and treat
it with lots of t.l.c. after a while it begins to be viewed as a classic and
the price starts to go up......

Sheffield Leadmill: 10.12.00 After a winding journey over the Snake Pass, we
arrived at The Leadmill. I have to admit to feeling a little concerned about
the state of my vocal chords after going completely overboard at Liverpool.
But as the soundcheck unfolded and it came around to show time it had
started to loosen up. I went through a warm up routine before the show and
apart from a few dry notes early on, 'the voice' did not let me down. I
wasn't sure how the Sheffield gig was going to be received - it seemed to be
the slowest advance seller of the tour, but on the night we had a huge
'March up' and the place was solid. I think a lot of fans came down from
Leeds after giving us the once over, and liking what they saw and heard.

I think we played a very good gig at Sheffield. We were tight and I managed
to keep my natural enthusiasm in check until the appropriate moments. I
think we played the best version of 'My generation' so far and before Kirk
Brandon departed we all had a good laugh as Kirk asked the crowd to "Give a
big cheer for Mike...... Steve..........this Geezer
Here...........(Richard).......and that geezer over there.........(James)".

It's been great having Kirk Brandon and Spear Of Destiny on the tour. They
bring in a similar set of devoted fans, and all the band and crew are very
friendly. I first saw Kirk Brandon with 'Theatre Of Hate' at the Music
Machine In London in 1981, and then at quite a few gigs in the City (CLP,
Lyceum etc.), and also supporting the Clash once or twice.

I don't think I ever saw Kirk with Billy Duffy (who joined the band in
1982), but having now had the opportunity to work with both guitarists, I
have been amazed at how much Billy Duffy retains of the stylings he
obviously picked up while he was playing with 'Theatre Of Hate'. Billy Duffy
also met Ian Astbury when Southern death Cult supported Theatre Of Hate in
1982 and there are moments when I can hear the influence of Kirk on Ian
Astbury's vocal technique as well.

I have to admit to being very influenced by 'Theatre Of Hate myself'. When
they emerged they were one of the most exciting and original bands you could
have heard. 'The Stand' owes a huge debt to the 'Theatre' guitar style, as
the song was born out of a 'Kirk' style riff that I made up on the bass
which was transformed into the guitar solo part of the song, as was 'Shout
To The Devil' (it's tribal rhythm and droning chord sequence in particular).

It bugs me that a lot of my peers are not given credit for the influence
they have had on Modern Music. In my opinion, today's music media is far too
preoccupied and obsessed with the effects of the sixties and the seventies.
I've met loads of the current crop of successful bands and the amount of
times I've heard confessions about them being into this record and that and
having been in attendance at this show and that, and yet when it comes to
them being interviewed, they all cite the same old influences, The Velvet
Underground, The Stooges, New York Dolls, Clash, Pistols etc.

I don't think that Thom Yorke and Radiohead would dare to admit how much
they were into The Alarm or that James Dean Bradfield and Nicky Wire of the
Manic Street Preachers used to attend Alarm Shows at St. David's Hall in
Cardiff. When I played a charity show in Blackwood with James Dean Bradfield
a couple of years ago, he admitted to me that he still had the letter and
autographed photo I had sent to him in 1985 when he had written to The Alarm
fan Club in St. Albans. He also confessed that he was hoping I wasn't going
to play The Alarm song he had stolen a chord sequence from........ I bet you
didn't know that Ian Brown of the Stone Roses was also a huge Seventeen fan.
He was a northern scooter bay and his own pre-Roses band 'Patrol', actually
supported Seventeen at The Portland Bars in Manchester during the mod
revival summer of1979.....

Anyway, enough of my ranting, I'm having a great time on this tour. There's
so much happening right now, loads of new songs taking shape, loads of
renewed interest in the band, we are filming the Shepherd's Bush show on
Friday so don't forget to bring your playing cards and banners if you want
to be seen on camera etc. In fact, we have been recording every night of the
tour and Mike Jones says that the recordings sound great...(Mike Jones -
Sound engineer doesn't ever sleep... he's worse than me..... after the shows
he usually rigs up the studio mixing desk and listens back to the show going
over the mixes etc........). I've got a 'day off' tomorow and I'm going to
try to catch up on all the dedication CD's so that everyone gets them in
time for Christmas. I'm having a meeting about another 'theatre' project as
well, and also there is a great three page spread in this months 'Guitarist'
magazine and a small feature in this months 'Mojo' not to mention a European
tour for the new year and lots and lots more.......

Perhaps I am turning into a 'classic' car after all!

See you in Nottingham,


MP




Dispatches From the Front : Better Scream - Liverpool 09.12.00

If writing in capitals is the internet equivalent of shouting, what is the equivalent of an internet whisper? Today started out with a drive to Liverpool through the Mersey tunnel. While the equipment was being set up at the Lomax, I went over to Elevator Studios to see Tim Speed (co-producer of 'Feel Free'). The Bunnymen have been recording there and I ended up having a good long chat with Ian McCulloch. while we were 'rabbiting' away (excuse the badly drawn pun......) He tapped me up for an Alarm box set and so tomorrow I am going to record a special dedication CD for his wife Lorraine who is a huge Alarm fan. 'Mac''s wife used to drag him along to Alarm shows in the early part of the eighties, I remember he used to like the last line of 'Reason 41'. He seems to be really 'buzzing' about the new record. The Bunnymen is now just Mac and Will Sergeant and I did hear one little bit through the walls and it sounded the business.

The soundcheck went really well and we all considered it to be the best sounding stage of the tour so far. It was freezing in the dressing room and Spear sounded like they were having a good night as the sound filtered downstairs while I was preparing the set lists. When we hit the stage the sound had completely changed. The venue was absolutely packed out and the crowd were really up for it right from the start. I don't know how Steve Grantley managed to come in on time at the start of Marching On as the only people who could hear my guitar intro were the crowd... there was none being fed to me on stage at all.

I have to say that at the beginning of the show, the audience were in better voice than me. They sounded like the Spion Kop and the Gladys Street combined. I don't think that sitting in a cold van for hours waiting for the AA had done me much good previous night, I had to work hard to find my voice. It was a bit of an away match type of gig. I felt like I was under the cosh in a bit of a midfield battle. Mind you, I like midfield battles and this was my type of gig. Tonight, I hardly played any guitar. I wanted to be in the audience and was soon all over the monitors, on top of the barrier and we'd only played five songs. I had to try and calm down but how can you do that when the next three songs are 'Murder', 'Unsafe' and 'Absolute'.

I made it through to the acoustic section and played 'Moments In Time' which was special with today being today and all that, then 'Walk Forever' followed by 'One Step', which I always try to dedicate to Dave, Nige and Eddie. I dropped my guitar pick just before I said Dave's name and made a joke about forgetting who he was. I love playing 'One Step' and then we're into the home straight. 'Rescue Me' was mega tonight. It was a laugh trying to play James' guitar for the re-intro to the solo, especially as it was still strapped around his neck. 'Spirit Of '76' is always twice the song when played in Liverpool.

When we trooped off for the encore I was told that Pete Wylie was in the audience and so I went back on stage and played the opening bars of 'Better Scream'. No Pete Wylie, no ' Better Scream', no 'Unsafe Building', no Alarm.... simple as that. If you buy one album this year make sure it's 'The Handy Wah! Hole' by 'Pete Wylie and The Mighty Wah!'. It will top your album of the year lists instantly........... As we finished 'Blaze Of Glory' some idiot at the club put the house lights up (Yes you've guessed it, it turns into a dance club at 11 o'clock), thus denying us all the opportunity of seeing my hero Pete Wylie (Yes, that 'Pete' of Spirit Of '76 fame) up on the stage with us doing a song or two together........ Still One Day......

Met loads of fans afterwards who thought it was the best 'Alarm' gig ever, their words not mine, I only know it could have gone one better than that if we could have done that second encore. Never mind, we got to talk afterwards, well actually Pete talks, I listen. Which is good because my voice is reduced to a whisper. Is it me, or did I get carried away a bit tonight. Yes!!! I can hear you say. See you in Sheffield.... I hope....

MP



Dispatches From The Front: Running On Empty: 08.12.00 Wolverhampton

As I write this diary I am sat in a touring bus outside the Wulfrun Hall in
Wolverhampton. Unfortunately we are not going anywhere as we are out of
diesel..... Rock'n'roll... It's a glamorous life. This reminds me of the
time I went to the NEC in Birmingham to see Bob Dylan in 1989. It was a
great gig and when I was invited to the dressing room after the show, I not
only met Bob Dylan but George Harrison was there with Jeff Lynne. it was a
great night, me and Jules from North Wales chatting with a Beatle, Dylan and
a Travelling Wilbury, I was so excited on the drive back to London, I ran
out of petrol and had to push the car into a service station.... I was
praying that Harrison and Dylan wouldn't see me as they drove south in their
limo....like I say glamorous life.

The next night was glamorous though, as I forgot to tell the rest of The
Alarm about my encounter in Birmingham and when I walked into Wembley with
the rest of the band, George Harrison was stood at the bar in the
hospitality area and shouted over to me "Hello Mike, how's it going?". You
should have seen the look on the other lads faces. I watched the rest of the
show from the side of the stage with Beatle George Yeah! Yeah! Yeah! As I
say, Rock'n'roll it is a glamorous life....

Wulfrun Hall, Wolverhampton. Biggest gig of the tour so far, the biggest
crowd so far and the noisiest. It was such a contrast to Leeds. Tonight was
a very high stage and the audience were quite far away behind the barrier.
The gig exploded right from the start. I have to take my hat off to the band
tonight as they played superbly. Steve Grantley is an extraordinary drummer,
a rock on stage, and a powerhouse of energy. He is also a very talented
songwriter in his own right. You should definitely make an effort to check
out his RTZ Global album. Steve is not only the rhythm generator but lead
vocalist and there is an amazing track called 'Gun Free America'. The other
thing about Steve Grantley that I like is that he loves the Clash as does
James Stevenson - The Teenage Wizard on guitar, We are developing a great
rapport as singer and guitarist and we are starting to push the envelope a
little further each night. James plays a Gibson Les Paul as his weapon of
choice and I think his sound helps to make the band sound contemporary.
Richard on bass is exceptionally musical in his approach to the lower end of
our musical dynamic, and he does have a voice that compliments mine
extremely well as we discovered during the 'Rise' sessions. He likes
Radiohead and he likes buying vinyl LP's.

When we began rehearsals for this tour we decided to take the best of what
had gone before and update where appropriate. James and I decided to
recreate the guitar sound of the Alarm from 81-84 which meant using acoustic
guitars with electric guitar pick-ups. We originally stopped doing this
around '85 when Sharpy got frustrated with the sound and switched to a
Fender Stratocastor. We also felt that a heavier guitar sound would suite
the tone of my voice today. After years of playing acoustic shows, my voice
has grown stronger than it ever was during the eighties, and all the
precautions I have taken to protect my vocal chords over the years mean that
my range is slightly wider now. It means I can sing lower and higher more
comfortably. Also, we are not using a keyboard player so we felt that using
a Gibson Les Paul would give us a full and rich tone but also could supply
the aggression when required.

I have been using a Gibson J160E which is a replica of the guitar John
Lennon used in the Beatles, and James uses a 1965 Epiphone Texan which he
bought from a guy in Liverpool earlier in the year. James' Gibson is a
sixties Gold Top and he uses a very early Marshall 'plexi' amplifier. James
is an expert on vintage guitars, amps and pedals and he also owns two
vintage guitar shops in London, 'New Kings Road Vintage Guitar Emporium' and
one in Denmark Street.

We finished the set tonight with 'Happy Xmas [war Is over] which I dedicated
to John Lennon who was shot around about this time (4.00 a.m. UK time)
twenty years ago. Where were you when you heard? I know where I was. I was
in London playing with Seventeen at The Marquee with the Stray Cats. We
actually played in Liverpool the night after, (at Eric's which was opposite
the site of the Cavern Club on Mathew Street) and performed 'Please Please
Me' to a Liverpool audience still reeling from the shock. It's weird how
fate works, but tomorrow exactly twenty years on, I'm going to be in
Liverpool again playing a gig.... don't be square - see you there .


MP




Rock and Roll - It's a game of two halves: Leeds 7.12.00

'Woke up this morning' go the lyrics to most Blues tunes. Well at 8 a.m.
this morning I was running up Craig Fawr with Johnny Marine (See Jules News
for funny story...), it was a beautiful morning and after a swift burst
along the old railway track we were in the Gym doing press-ups, dorsal
raises, sit-ups and squat thrusts etc...... all in the name of rock and roll
I might add. Back to the ranch and recorded some dedication songs and then
we were soon on the way to Leeds for the gig at the Cockpit.

I've never played this particular venue. It's a bit like an old aircraft
hanger. It even had a tin roof. The gig was another stormer, although I did
go a bit ballistic in a sort of 'Raw Tour' sort of way... you know,
thrashing about the stage, breaking strings, throwing guitars, ad-libbing
bits into songs and genuinely pushing the band and the audience on to
another level. James had to remind me that I still had a guitar part to play
into the solo on 'Rescue Me'.

The show started very early tonight, too early if you ask me. It's
definitely a modern phenomena on the gig circuit nowadays. A lot of venues
have brought the show times forward so that they can re-open the venue after
the band for the 'dance' crowd. I know it makes economic sense, but you
hardly have time to change out of your wet clothes before someone is
hustling you out of the gig. What happened to the days when the clubs wanted
the band to go on late as possible so that they could sell as much beer as
possible.

When we came on tonight there wasn't the usual vibe in the hall and I think
this is because of the early door times, I often come under a lot of
pressure to play shorter shows so that we can go on a bit later. I know it's
hard for 'Spear'. When I introduced them there was hardly anyone in the room
and it's a shame because they are a great band and even though the venue
filled up during their set, it's not the same as playing to a full hall from
the start. We had to contend with this same problem during the Big Country
tour. Tonight's curfew was supposed to be 10.00 but we managed to blag an
extra 15 mins from somewhere and I actually dropped some songs tonight so
Spear could go on a bit later otherwise it would have meant the gig running
like this:

7.00 Doors 7.15 Spear Of Destiny 8.15 Alarm 2000 10.15 end.

I mean come on....Coronation Street's only just finished and you're supposed
to turn into a raging rock'n'roll star.....and I know it's the same for some
of the fans. You can't start leaping around and singing your head off
without a bit of build up and anticipation. I bet some people don't even
have time to go home after work and get changed.... Punk might never have
happened if gigs had been like this in 1977. Can you imagine loads of people
going to a Clash gig in their business suits etc and pogoing down the
front..... no proper gigs start at 7.30. Support band on at 8, main band on
at 9.15 to 11.00 -11.15.. Everyone goes home happy.

Thinking about it, I did go a bit wild tonight. We had to start the set
twice because the P.A. nearly blew up after about 30 secs in. The first four
songs of the set are fast and furious. If we'd started most gigs like this
back in the day they would never have said U2, but The Clash comparison
would have been fair game. Knife Edge was the turning point, then The Stand,
followed by Up For Murder. (I don't think many people knew Up For Murder
that well. I wonder when the last time that song was played in Leeds? I
wonder when the last time both sides of the very first Alarm single were
played back to back or even if they ever were? That's one for you statos out
there.....).

During 'Rain' I went without my guitar and decided to stay on the mic for
'Rescue'. I ad-libbed the Woody Guthrie speech I used to do in '88. No
guitar for 'Spirit' either. By now everyone is going 'nuts' but not so nutty
that they could appreciate my 'Cantona' joke. Still they didn't kill me
either.....During the encore I counted in 'My Generation', the mod version
of course, still haven't got the key change right but it's not supposed to
be rehearsed is it????......That wouldn't be spontaneous. I've got a feeling
we will get it right soon though. It was definitely the best version
tonight. James was doing more windmills than they have in Holland, Richard
got the bass solo down great, Steve rekindled memories of Keith Moon (The
Loon). It was all going great and then I missed the third key change.
Talking about My Generation.

Right now I'm on the tour bus and we are listening to Led Zep. I might have
to start thinking about dragging up the old intro to The Stand.............
See you in Wolves.

MP



05.12.2000 The Fog On The Tyne - Newcastle

The venue in Newcastle reminded me of Dingwalls [Newcastle] which I played
with The Alarm in 1982. I've still got a tape of the show from the
soundboard and I remember it as being a show where we really clicked with a
sound engineer for the very first time. We started to understand the dynamic
of using the P.A. as well as our instruments and backline.

I have to give praise to Mike Jones, The Alarm 2000 trusty sound engineer
who is so diligent in his efforts to achieve the finest sound possible,
sometimes with the most horrendous of P.A.'s. He is not only mixing the
shows, but recording them all as well. No mean feat, when it is a different
P.A. every night etc. Mike and I go back a long way. In fact, I bought my
very first black twelve string acoustic guitar off Mike back in 1981. (The
very one used on most Alarm shows up to 1984).

I thought the show in Newcastle was a bit special as well, mainly because
the audience were so responsive. There might not have been as many of them
as there were in Glasgow but they sure made some noise.

I saw Mark Slater in the crowd (was it you who shouted out for Burning
Sounds?), Kev from York (MPO Mastermind Champ 2 years running) was there
too, going wild as usual. Some fans are great, no matter how many shows they
come to or how well they get to know me or the band, they never lose there
enthusiasm for the shows. They are always there at the front and I respect
that. Someone even called out for '69 Guns'.... now that was great.......and
we all shared in the joke.

We played the Coloursound song 'Fade In - Fade Out - Fade Away', as well as
all the usual suspects and also a short burst of 'Howling Wind' and 'Happy
Christmas (War Is Over). The sets are long now and it is tough on the voice
so loads of honey and lemon are required on the days off. I usually take a
mild throat lozenge called Tyrozet which is good as it has a small dose of
anti-biotic added to ward off any colds etc.

I try and warm my voice down after a show, but sometimes it's difficult as
people are always trying to get in the dressing room immediately after a
show. We drove back to Wales after the show so we could enjoy the day off
and watch Man U v Sturm Gratz. I'm probably going to do something relaxing
as well like run up a mountain.........

See you in Leeds,


MP




04.12.2000 : The Thin Red Line : Glasgow

On the road to Glasgow for the first night of the Second Generation UK Tour
we watched 'The Thin Red Line', the Terrence Malik war movie, not exactly
pleasant viewing on a Monday morning drive to Scotland, but it did seem to
mirror the feelings of the band in the pre hours before hitting the stage.

There was a frantic half hour after the soundcheck, as I was working out the
set list with Steve G. when Bobby 'Blue' Troman informed me that the show
had to be over by 10.30 which meant going on stage at 8.30 if we wanted to
play all the songs I had set as the target for this tour. There was also a
lot of technical detail as I am having every night of the tour recorded for
posterity.

Going on stage is a bit like a peace time equivalent of going 'over the
top'. When you finally get out there, it's a bit like being in the
crossfire; all hell breaks loose - you cannot rehearse for the way you play
when you are shot through with adrenalin. The Glasgow audience are
brilliant; about thirty seconds into 'Marching On' the gig ignites - band
and audience as one, all hell-bent on having a good time, remembering,
forgetting and looking to the future. Some things have gone and will never
be forgotten some are new and will always be remembered. Everything is there
to be celebrated and it is.

If I say it myself we played a blinder. I was really looking forward to
playing 'Breathe' alongside 'Unsafe Building' and 'Spirit Of '76' with
'Regeneration'. I loved seeing all the old familiar faces roaring along in
the front rows... Davey, Gordy, James, John, Mark, Graeme and many others
whom I know by face only.

I'm glad I have been training hard in the run up to this tour because it got
intensely hot and Richard 'Dirk Diggler' Llewellyn began handing out the
onstage water supply to the audience much to the relief of the fans. First
number of the encore was 'Up For Murder'. It was so good to play it again
especially with the amplified acoustic guitar sound and fury. After 'Blaze'
we dragged Kirk Brandon up for 'My Generation' which we proceeded to murder
in grand style. Wish everyone a Happy Christmas and then we're off.

Back in the dressing room it's hugs all round and then focus on tomorrow and
the Geordies.....

MP

December 13,   2000
Don't forget your playing cards…

As it turned out I never did make it to shoulder level at Wolves. I barely escaped the MPO desk although I did sneak down at one point and wormed my way to the front for one song. I soon fled in panic at the thought of bashing my pink cowboys. It was all a bit rough down there - the boys from Wolves definitely had their heavy boots on.

I do like getting that close though - it's exceptional and for those who haven't dared please do. It's quite incredible to be in touching distance of the band, it's powerful and evocative and in that brief moment Mike feels
like a 'stranger' to me, untouched and beyond.

There were no knickers thrown; a relief, both for me and for Mike:) I loved watching the boys play in such a fitting environment. The Wulfrun Hall was grand and steeped in occasion, well suited to Mike, the boys and their
consequent performance.

I flitted from venue to foyer and was constantly waylaid by people I had become friendly with over the MPO hotline or from previous gigs. It's great to put a name to the face and as I had thought earlier, this tour had definitely taken on the feel of a travelling house party. I'd like to mention Graham Brazier at this point, the first ever person to
call the MPO back in the early nineties when we first set up the office and sat around awaiting our first call... Would anyone even bother? Well, Graham
did and he's still in touch with us to this day, along with 10,000 others...like Steve Binman Broome, another regular who empties the rubbish of the rich and famous of the West Midlands (I think he needs a word with
Mike)...

After the gig, we were all sat on the bus ready to depart (Stevie G and I were desperately fighting the carbo craving as we hadn't eaten since 6pm)
when the bad news was delivered: the van wouldn't start. It was soon realised that whilst we did have diesel, the fact that we were parked on a
slope meant that we were on the road to nowhere.

A brief moment of feeling incredibly pissed off was followed rapidly by a massive urge for chips and curry. Whilst Ladies Man set off in pursuit of
more diesel, I set off into the world of Friday Night UK (short skirts and skimpy tops) in search of ... the British Chippy. Mike was not to be moved from his strict diet of sensible eating and exercise and so in support of
him I abstained. Second wave of feeling really pissed off quickly followed.

These things however are set to try us and instead I concentrated on nice diesel-filled chip-free pleasant thoughts and as if by magic the AA man appeared and set us on our way.

By Saturday, I felt like I was in the middle of battle. Early starts at MPO HQ followed by a full day's work at MPO Merch Towers at the gigs were starting to take their toll and stupidly I was wishing my tour away,
dreaming of sofas, log fires and sleep.......

Liverpool soon perked me up. Tried a bit of shopping in the afternoon with Mike in tow ( I swear to God, he was after a few more shirts!!!!!) but Mike was repeatedly recognised as we wandered between Karen Millen, Oasis and Warehouse. Hey, not that I mind in the slightest but it does put you off your shopping stride, when you're admiring some slinky little number and
asking for 'Glaze-eyed' Peters' opinion, when some geezer pokes his head round and asks if Mike will sing 'Walk Forever' at the gig tonight:)

Mike did, bye the way. Sing Walk Forever. Did I ever tell you that we had 'Walk Forever' played at our wedding? Superb, so I totally understand the significance for those of you out there who requested it as your special
dedication. Only sad thing is that it was written before my time. Can't lay claim to that one :( Mike does assure me though that it wasn't written about
a girl as such, more his stab at a hymn. Hmmm... Presence of Love though… he assures me that was definitely written for me:) We had that played at our
wedding also along with Knockin' on Heavens Door (!!) and Rescue Me (!!!) at the reception. 14 years and they said it wouldn't last... :)

Anyway back to the Lomax, L2 and Liverpool. Historically, in early Alarm days, Liverpool was a difficult territory. Too close to home probably and an inherent belief by the Scousers that The Alarm were sheep shaggers, which
they weren't incidently... as far as I know... in case you were wondering...

Spirit of 76 changed all of that... you know the video where Mike walks about Liverpool town and looks out at the Mersey lights from his beloved Rhyl beach. It was pretty special tonight. Mike had popped in to see Ian
McCulloch of the Bunnymen in the afternoon (Ian's wife is a mega Alarm fan) and so by showtime Mike was a ball of energy once again and the audience was magical. I saw almost one verse of... I can't even remember... I just kept
bumping into so many 'fans'... it was amazing.

The night was topped by the appearance of Pete Wylie, one of Mike's all-time heroes. Pete came to chat by the MPO desk - he really liked the set-up of having such a direct relationship between artist and audience and discussed working with Mike in some way or other. After the show and packing up I finally bumped into Mike who was wandering around the bar. He was whispering
as it was important for him to reserve all his vocal energy. Thankfully Pete took over and Mike was more than happy to just sit and listen to Pete who had seen all his dreams come true.

We were back home tonight what with us North Walians really being Scousers. We were all dead beat especially after the Diesel incident the night previously. The MPO office was bursting at the seams with emails, requests,
merch orders and whilst there is a backroom team of 5 people nowadays at MPO there are still many jobs, telephone calls, emails that only Mike or I can
deal with. It was for this reason that I made the decision to abandon ship and leave the boys on their own for Sheffield.

I really don't like abandoning ship. It is so misery-inducing. You just can't help feeling like Cinderella. 9pm comes and goes and it's like having your guts wrenched out as you 'will' Mike along for his performance. It's strange being married to a musician. Sometimes I think it is more
nervous-making than actually stepping out on stage oneself. I imagine it is how one feels for one's child. You just feel so protective and uneasy until it's all over. Don't get me wrong. We are not a bundle of nerves in the
Peters Household but I can definitely detect Mike withdrawing into his buildup of anticipation for a show and down that path I follow. It's impossible not to, in pursuit of making sure that Mike is ok.

It turned out that Sheffield was a blast from all accounts and I will be forever sad that I missed the boat that night even though much was accomplished and many decks were cleared back in the office.

Monday and Tuesday were 'days off', figuratively speaking. Mike caught up on sleep, running up mountains and recording dedications as well as monitoring
the live recordings of the tour so far with the other hard working man of rock, Mike Jones. The recordings, in the words of 'Mike the Sound' are stunning.

I meanwhile was ensconsed at MPO, making Gathering preparations, organising the Gathering merch (Superstore here we come!!!! :)), advancing the next few
shows, and also attending my Council meeting which made an interesting contrast to the last few days.

I think that's where I'll leave it for now. I'm in bed and it's 1.20am. I'm embarrassed to admit I jumped ship again and missed Nottingham tonight and yes you've guessed it, I'm feeling miserable... cheered though by the
anticipation of three in a row of probably the best concerts yet to come of the Second Generation tour.

The pink cowboy boots are winking at me from the corner of my room and so soon I'll be transported back to the magic Neverland of Rock'n roll. Don't forget your playing cards.

See u at Shepherds Bush Bush Bush... no income tax no vat....

Nos da,

Boob Tube xxx

December 13,   2000
Deja Vu! More Diary, Plus another great Jules News!

Again, Jules and mike come through with more great reading!

Jules has added several new entries to he on-going Jules News column. You can
see them all at
http://www.mikepetersweb.com/juleslatest.asp


Mike Peters continues to update his diary of the current UK Tour. You can read it here: http://www.mikepetersweb.com/dispart.asp?id=236

December 08,   2000
New Diary, New Jules News, Plus An XmasActivity!

Jules has added several new entries to he on-going Jules News column. You can
see them all at
http://www.mikepetersweb.com/juleslatest.asp


Mike Peters continues to update his diary of the current UK Tour. You can read it here: http://www.mikepetersweb.com/dispart.asp?id=236

Finally, we now have a Christmas game on the site featuring music by "The Chidren Of The Revolution". The game allows you to decorate a Christmas Tree and email it to a friend. While you decorate, "The Rev" pound out their Xmas favorite "All around The World It's Christmas Time". The game requires the "Flash 5.0" player, which can be downloaded from the game page. You can start playing here: http://www.mikepetersweb.com/rev/xmastree.asp

December 08,   2000
Leeds Alarming 2000

I'm on merch duties at Leeds the Cockpit. I've been to more glamorous places
it has to be said :) The band have just hit the stage just as the monitor
system decided to crash. This is a nightmare for the band as it becomes
such a struggle for the band to hear themselves on stage as they have to
rely on the 'outfront' sound.

I think we're all feeling wasted today. It's strange how a 'day off' can
disorientate everyone - it's almost better to keep on trucking. Mike in
particular prefers to gig day after day as it keeps his voice juiced up.

I've met some great people tonight once again - the legendary A.D.J. Simpson
who is known in MPO quarters as being the 'first' to purchase almost
everything released on 21st Century Recordings, Gathering ticket etc. Nigel
Timmins, an MPO stalwart , Steve Woodhouse, an RE teacher and Alarm lover
and of course not forgetting the beloved MPO crew, Andy & Sam Greenley, Ian
Francis, Katrina Copping and Jackie Collins (real name, honest!)

Mike conducted an interview for BBC Radio just before he hit the stage. It
had been a long day for Mike with a 7.45 start (I had to KICK him out of
bed). Mike was meeting Johnny, remember, the personal trainer and a few
mountains were calling. Granted, last night, Mike had relaxed in front of
the telly, watching his beloved Reds (he never sees the season tickets these
days) with the rest of the band, who naturally being blokes, all share an
appreciation for footie. Whilst on the run, Mike had an embarrassing
experience when he realised half way up the mountain that one of my pairs of
knickers had become attached to the collar of his training jacket (Must have
happened during my laundry session last night when I experienced the joys of
washing Big Jim's smalls - yeah, I know, glamorous life ). Johnny Marine had
to point it out (they were pink and hanging from his collar!!!! :) Mike
defended himself by claiming to be the new Tom Jones and that all the girls
in Newcastle the previous night had thrown underwear at him on stage.

Newcastle was a great night. It's always been a difficult territory for us
for some reason since Mike 'went solo'. We've never quite captured the heady
days of The Alarm and to be honest the Northeast will always represent the
time we had to play a nightmare gig on the same day Mike had been diagnosed
with lymphoma. Thankfully, Mike was one of the lucky ones. The North east
still makes me feel uneasy (no offence to the MPO Geordies :))

Anyway, Newcastle turned out to be an excellent night and I met so many
'new' Alarm fans who hadn't seen The Alarm since 1991. I spent most of the
night chatting with Kirk Brandon from Spear of Destiny much to the ribbing
of all my crew members who reckon I just have a 'thing' for 'singers' :) I
was still wearing my pvc rock chick trousers and pink cowboy boots and have
decided that this has to be the uniform of the tour. Death to trainers.

Speaking of Newcastle I should make mention of Mark Slater who has supported
Mike faithfully through the years and of course Alan Pearson who keeps in
touch with the MPO hotline on a regular basis.

Back in Leeds the crowd were just loving it. Mike's voice which often starts
a little rusty for the first few numbers had oiled up perfectly. The band
are sounding great. As I have said before, we are all really gelling as an
Alarm 2000 ( or whatever you want to call us) team. Mike played a
dedication, 'Absolute Reality' for a guy's girlfriend I had met. The guy was
a Spear of Destiny fan. The girl was a huge Alarm fan. I hurtled back to the
dressing room (Mike wasn't officially doing dedications on this tour after
much consideration). 'I can't do that' complained Mike. 'Oh shit' thought I.
'Please Mikey Boy Darling' pleaded I. 'But I want to crash straight in to
Absolute Reality' persisted Mike; 'Can't I do 'Walk Forever' instead'....
'Nooooo', pleaded I, all wifely charm and perseverance... she's a
huuuuuggggeee Alllaarrrmmm fan!!!!!!! 'Oh okay' says the guy who always
tried to do the right thing. You should have seen the look on the girl;s
face. She had no idea and was absolutely thrilled. It was all worth it.

It's such a primal thing, being part of the throng, whilst Alarm songs are
attacking your senses. I so desperately wanted to submerge myself down at
the front, but had to content myself with bopping away at the merch stall.
Not quite the same as being perched on someone's shoulders but the next best
thing.

Maybe in Wolves....

JJ

December 06,   2000
Storming Glasgow Set!!

Mike and the boys launched into the start of the Alarm 2000/ Mike Peters UK Second Generation Tour with a vengeance. One hour and 47 minutes of blistering Alarm tunes with a few solo gems thrown in as a Christmas bonus. One onlooker commented that it was the best version of 'High on the Hill' ever! The Glasgow crowd did not disappoint and matched the band song for song with their energy and passion. A night to remember!

Marchin' On
Where were you Hiding
Deeside
Majority
Knifedge
Breathe
One Step -acoustic
Unsafe
Absolute
(Acoustic)
Deceiver
Stand
High on the Hill
Sold Me Down the River
Strength
Rain in the Summertime
Rescue Me
Spirit of 76
Regeneration
68 Guns
-
Up for Murder
Blaze of Glory
My Generation (with Kirk Brandon from Spear of Destiny)

December 06,   2000
Dec. 15th Shepherds Bush Empire Show To Be Filmed!

MPO is proud to announce the exclusive filming of the Shepherds Bush Empire show. The London concert will be fimed by a 6 camera crew and will be released at a later date on 21st Century Recordings. If you are attending this show and wish to make your mark for posterity, why not take a flag or banner to be seen. Also, don't forget the playing cards for maximum effect!

December 06,   2000
Jules News: Scotland Calling!

It was an early rock'n roll Monday morning as we departed from Wales up the
M6 to a favourite Alarm haunt, Glasgow. 'What do we get up to in the tour
bus,' you ask? Well, it depends on the mood, how sober we are, how tired we
are. Today, we were catching up on the Sunday papers. The beauty of rock'n
roll, is that all the barriers of the normal week disintegrate; the only
structure is 'Glasgow, Newcastle, Day Off' etc.... names of days are
meaningless.

As always, it had been a rabid lead up to the tour and we were all knackered
to start off with, apart from Mike, who was primed and trained up, all
raring to go. I was feeling like I had been on the road for at least week
what with all the late MPO nights and early MPO mornings. Tour 'advancing'
and Gathering preparations make heavy work on top of dealing with over 100
emails, faxes and calls a day. Long may it continue.

The rain was lashing down in sharp contrast to our last show in California.
As we pulled up outside 'The Garage' there was an immediate good vibe in the
air.

Colin, our Rep from DF Concerts (the promoters for the show) was there to
welcome us and we were all quite excited because the Vodka and red bull
which we had requested was on the rider. This, together with an abundance of
posters advertising the show around the city centre (always a good sign)
lended itself to our strengthening spirits.

Steve, the drummer and I had concocted a 'How to stay healthy on the Road'
plan on our journey up which involved 'Starch and Carbo' ban after 6pm. We
eyed the Sainsburys 'Be Good to Yourself' crisps hungrily. 'Did beer count
as a starch/carbo in this instance?' we asked ourselves foolishly in a
feeble attempt to bend the rules...

Not that we are all obsessed with drink, you understand. It's just that it
is kind of necessary to ignite and 'sharpen' energy levels somewhat after
the draining effect of being on the road. Ok, so it was only one day but
there was the compounding effect of jet lag to take into consideration.

The gig started to fall into place. The 'humpers' greet our arrival and help
our trusty 'do it all' 'rider' who attends to everbody's needs on stage.
Bobby, 'Ladies Man' Troman, our Tour Manager becomes acquainted with the
promoter (in this case, Colin) and checks that the dressing room is equipped
with all we desire. In this case, vodka and red bull (for Steve, James and
Dick) to perk them up before performance, coke (for Mike Jones, Sound
engineer extraordinaire - one of the non- drinkers on the tour), Diet coke
(for Mike Peters, who claims that this keeps his vocal chords nicely
lubricated), and an assorted abundance of sandwiches, crisps, fruit as well
as the essential 48 bottles of good quality lager!

I begin setting up the MPO Merchandise Desk which is a task and a half due
to the vast amount of CD's and T shirts we carry! I become acquainted with
Liam, Spear of Destiny's manager who is as similarly consumed with all of
Kirk's merchandise.

It's quite strange being the support act, as we have experienced many times
over the years with various bands. You wouldn't believe some of the petty
restrictions placed on you as a support act and so we always try to make
sure that our support acts feel at home.

I first met Kirk at Dave Sharp's gig a few months ago in Manchester and
immediately hit it off with him. He's a great guy, very charming and very
charismatic on stage. If you get chance, come to the show as early as you
can in order to lend your support to Kirk and the Spear of Destiny.

Before you know it, time is speeding up into fast motion and in a blink of
an eye, the rock chick trousers are on (a girl has to make an effort in a
blokes' world :)) and the doors are open.

My time flies by as I meet up with new and old faces. James Newall from
Scotland is first to greet me, an old friend now, so many concerts has he
attended. He also runs the Scottish Gathering bus and does an admirable job
of transporting the Scottish contingent to Wales. Now there's a party!

Martin Smy from Essex who is following the whole UK tour after helping me
admirably in California where he joined us on holiday. Martin even brings
his dog (not an Alarm fan) who waits patiently for Martin back at the hotel
:)

Meanwhile, back in the dressing room, Mike and the boys are revving up.
Tensions, nerves and excitement tighten up and explode into one emotional
outpouring as the boys hit the stage. Mike thrives on the build up, and our
awesome drummer Steve Grantley matches Mike blow for blow as they build
themselves up for the challenge.

It doesn't matter how many gigs you experience, I am always left wanting
more. Despite the responsibility of the 'stall', I cannot resist joining the
crowd and soaking up the atmosphere. For those of you who weren't there, it
reads something like this...

Marchin' On
Where were you Hiding
Deeside
Majority
Knifedge
Breathe
One Step -acoustic
Unsafe
Absolute
(Acoustic)
Deceiver
Stand
High on the Hill
Sold Me Down the River
Strength
Rain in the Summertime
Rescue Me
Spirit of 76
Regeneration
68 Guns
-
Up for Murder
Blaze of Glory
My Generation

See you in Newcastle!

Miss. Jules News

December 02,   2000
... Jules news... Revving Up.

Since the Sharpening Club closed down, it's been busy times back at MPO HQ. 'Mopping up' after the USA, 'setting up' for the Gathering Nine and 'revving up' for the UK Second Generation Tour.

Despite his busy schedule Mike has been 'stepping up' with his personal trainer, Johnny Marine: 'pressing up' in streams and running up local mountains. Performing for two hours a night requires great stamina and so Mike works hard offstage to keep up his strength. Oo er.

When he's not running up mountains Mike can be found strumming a lot these days. You find him in nooks and crannies around the house - just him and his acoustic - jamming new chords - singing new melodies. It's like having Mike Peters radio transmitted 24 hours a day. Glazed looks and mounting bin-bags a go go.

From rehearsal reports, I think you can expect a red hot tour. Mike and the boys have been rehearsing a tonne of Alarm 'specials' and I sense that Mike feels the need to introduce some 'Mike Peters' tunes. I think he's missed playing songs like Regeneration, Burnout Syndrome, High on the Hill... Coincidentally, a lot of callers to MPO in the past few weeks have made similar requests. This will mean longer sets than America so bring a spare T shirt.

I've spoken to some real interesting MPO folk on the phone this week. There was a Mathematician from Oxford, treating himself to Red Acoustic Works, a nine-times Gathereee from Kidderminster who amusingly regaled me with tales of him and his mates preparing to wear their 'heavy' boots to the forthcoming Wolves show in anticipation of frontline pogo-ing... Jose Mendoza from Wyoming who is attending the Gathering for the first time... and of course all our 'regulars' who keep in touch.

Amongst all this MPO madness, I have also been serving 'Our Glorious Leader', he of the Mission fame with T shirts and such finery. It's a dirty job I know and it was with much huffing and puffing that I set off to Paris last week to make sure all was well in Mish World. It was lovely to see the Huss and our dear bass player, Ado doing their Wasteland thing. The Sharpening Club was back in business alongside The Mission's 'Country Club'.

Other highlights of the month included Mike's rendition of 'Happy Xmas war is Over' in Swansea, South Wales for BBC Children in Need whilst Mike's appearance on Janice Long's Radio 2 show was highly memorable. A Mike Peters medley and an attack of emails, calls and faxes from MPO members all across the UK and the world to the BBC Studios! What amazing fans you are.

Well, time to pack the rock chick gear and 'many shirts of Mike' for our Alarming jaunt across the UK. I have a feeling that the Second Generation UK Tour will be rather like an extended Christmas Party. Please come by and say 'hi' and remember that the 'Sharpening Club' starts around 7.00pm.

Mine's a moose drool...

Love and life,

Miss. MPO xxx

December 01,   2000
Mike and the boys in London rehearsals

Mike and the boys are topping up their tunes with rehearsals in London in preparation for the upcoming UK Second generation Tour. Rumour has it that Mike will be adding some solo compositions after gleaning recent feedback from MPO HQ, requesting the inclusion of Mike Peters' live biggies like Regeneration, Burnout Syndrome, High on the Hill and 21st Century.
Be prepared for a long night!

Other MPO news...The Children of the Revolution have been in touch with MPO to request special passes for the Manchester show on Dec 17th. Mike is overcome with excitement that his hero, Alain Insane is taking the time to check out Alarm 2000 in the flesh.

Please make sure you check in with the MPO Desk if you are attending the UK Tour and fill in a competition flier to win 2 free tickets to the Gathering weekend (12th and 13th Jan 2001) (Existing ticket holders will be reimbursed if they become the lucky winners).

November 30,   2000
Two New Interviews!

Two new articles have been added to the press/articles section(s):
An interview with SLF/Mike Peters/Alarm 2000 drummer Steve Grantly
A transcription of the recent Yahoo.com video interview with Mike Peters.

Special thanks to Katrina Copping and John O'Donnell for transcribing these.

November 30,   2000
Steve Grantly Interview

 


STEVE GRANTLEY INTERVIEW


Thanks go to Steve for taking the time out to conduct this interview, and to Katrina Copping for conducting and transcibing it.


I start by asking you how you got into playing the drums. 


I started banging bongos when I was four years old. I got my first drum kit when I was 11. My parents bought it for me after I had driven them insane going on & on about wanting to get some drums. I was then able to drive all the neighbours insane. Result! ! ! My father was a drum fan & I suppose I must have got the bug from him.


Who were your earliest Drum influences?


One of my earliest drum influences was a British jazz drummer called Ronnie Verrel. He played with The Ted Heath Big Band & he was incredible.


The next guy was also a Jazz drummer & his name was Buddy Rich. Known as the Greatest Drummer of all time, Buddy was the "Daddy" of them all. I’m a huge fan & I still watch & learn from him now.


Then I saw this geezer on Tele with loads of drums around him going crazy. He looked like a complete nutter & I thought to myself, now that’s a proper drummer. It was Mr Keith Moon of The Who & I was dead impressed by him.


Cozy Powell came out with "Dance with the Devil" & I loved that. I also liked what he did when he joined Rainbow.


My favourite drummer though is John Bonham from Zeppelin. As far as I’m concerned he wrote the book on "Rock" drumming!


There are so many other Drummers that I like & whom I’ve learnt from but these are the people I was listening to when I first started playing!


 How did you join SLF?


Well, I have to go back a bit. In 1983 I answered an ad in Melody Maker for a drummer & ended up joining Jake, in Jake Burns & the Big Wheel. That was after he had originally split up SLF in the early 80s, so we go way back. Once Dolphin Taylor had announced that he was leaving SLF in 95 Jake immediately phoned me. I didn’t audition, I just turned up, started playing & that was it.


Were you nervous at the prospect of joining the well-established SLF?


No, not really because I had already been in a band with Jake & I had worked with him & Bruce on other projects as well, so I felt O.K. I had been in the Big Wheel and I thought that some of the fans would know who I was! However, when Jake said do you want a "warm up gig" just to settle in, me being a flash git, I said no. Jake said that our first show was at Barrowlands but I still declined the offer. We had done the usual rehearsals, so I felt OK about it. I suddenly got very nervous when we were standing at the side of the stage with the intro tape "Go for it " playing & 2500 Scotsmen singing along at the top of their voices. Jake turned to me & said, "Bet you wish you’d done a warm up now "Knobhead!" & of course he was right.


Do you think SLF will ever cover Abba’s Dancing Queen as recently mentioned on the SLF chat pages?


That was my idea & it got a big thumbs down from the rest of the band but I think we could do a "TOP" version of it. I can just see Jake & Bruce in tight silver suits doing the dance routine to it now!


What did you know of Mike Peters and/or The Alarm before you started playing drums with them?


I knew the earlier Alarm stuff well because Jake & I had been to some of their smaller London gigs. Then Jake Burns & the Big Wheel supported The Alarm on 4 shows when Declaration came out. I enjoyed the shows & I always kept my eye out for them after that. I really liked "Rain in the Summertime". Mikes solo stuff escaped me until Rise came out & in my opinion it’s the best thing he’s ever done.


Is life on the road with The Alarm different to life on the road with SLF?


Yes, The Alarm drinks a lot more than SLF.


Do you ever go on stage and forget the song and what band you are in?


No, I’m always in complete control & I never get confused & if you believe that you’ll believe anything! "Alternative 68 Suspect Guns"!


Have you seen Heath Row lately and how is his pink fluffy drum kit?


I’ve not seen Heath for a while but I believe there’s a Rev gig happening around Xmas time so I will definitely be there for that! The Pink Fluffy kit is amazing, I would love to own it but it cost a fortune. It’s the most famous kit in rock!.


Any band you wish you could have played for?


Yes, three. The Sex Pistols. The Who & Led Zeppelin!


Were you instrumental (no pun intended) in accelerating the tempo

The Alarm songs played with The Alarm 2000 to just this side of Light Speed?


The songs that are faster are like that because they felt good faster. "Sold me down the river" is one of them.


Do you have a favourite Alarm /Mike Peters/ or Coloursound song?


Yes, my favourite Alarm songs are Howlin’ wind, Spirit of 76 & Walk forever by my side. Mikes solo songs would be You are to me, Breathe, In Circles. & my favourite Coloursound songs are Under the sun, Where do you wanna go & Alive.

 


Steve Grantley has a side project called RTZGLOBAL & they have recently put out a limited independent pre release album called Return to Zero. It will have a "Full Release" sometime next year.


Tell us how you started RTZ?


I just wanted to express myself; I didn’t particularly want to make a record. I had a lot of ideas flying around in my head, so I decided to go into my friend John Magna’s studio & lay some tracks down. John wasn’t sure what was going on at first but once he had "got it" he started to contribute as well. Then we decided to make an album. A year & a half later we finally finished the damn thing.


What does the name Return to Zero mean?


In my opinion, that’s what happens, we go back to nothing. Happy stuff eh’


 How did you met up with John Magna, your musical partner in RTZ?


We met at a studio complex called "Westar" years ago. John was the best Engineer there & we worked together on various projects. We have been friends ever since. John is a great Guitar player & was perfect for RTZ.


What influenced RTZ musically?


There was all this stuff in my head & it all came spewing out! I mixed up all my favourite sounds, old & new! So, there’s a bit of The Pistols, Led Zep, Suicide, lots of Suicide. Marilyn Manson, Tangerine Dream & Rob Zombie.


What is the future plans for RTZ, will it include touring?


Live gigs will happen sometime but not just yet! There would only be the two of us, so we have to work out a way of doing it.


Some of your lyrics on RTZ Global are very dark and mysterious; perhaps you could explain the stories behind them.  For example:


I Was 'I was the beginning and I'll be your end, cos that's the way of all flesh'.


 I Was is a song about power, hate & revenge.


 


 


 


Prey seems to be written about stalkers and includes the lyrics 'I follow you around you're such a wonderful find'.  Could you explain the story behind this too?


 Prey IS about a stalker. It’s about actually being the Stalker! It’s a love song. The stalker is in love with his prey. She is his "Wonderful find".


 What is Tabula Rasa?


Tabula Rasa is Latin for Blank Slate. It’s about someone who wants to Return To Zero. 


What is Mike really like away from the stage?


 What you see is what you get! Mike is the same off stage as he is on! There is no other side to him. Totally positive. The most patient man I ever met. Also, I’ve never seen him get nervous about going on stage. It’s totally natural for him.



Do you think ColourSound will go high volume/be a hit?


I think all artists have high hopes for anything they record. All you can do is put music out & see what happens!


How was the USA Tour?


 


I really enjoyed it. We were playing really well & I had a blast. It was good to meet everyone after the gigs."Hello" to everyone who came along & made it one of the best tours I’ve done! There’s a lot of interest in The Alarm 2000 in America & I’m very much looking forward to going back. I had a right laugh!



What have been some of your favourite gigs over the last couple of years?


 


SLF at Barrowlands is always a real thrill. The last two Gatherings have been "TOP". & recently I saw some footage of Coloursound at LA2 last summer & that was a truly great gig, we were on fire that night!


Where can we get the RTZ record?


 Well, you can hear snippets on the RTZGLOBAL Website & you can order it off there as well. The address is http://go.to/rtzglobal. You can also order it & pay by credit card by calling the MPO.


 Thanks for your questions & I’ll see you all on the British Tour.


November 29,   2000
Mike Peters Yahoo Interview Transcription

Yahoo! : We're with Mike Peters, who's currently touring the country with The Alarm 2000. Welcome to yahoo.

MP : Yes, nice to be online.

Yahoo! : Basically right now basically going around the country, here in America, behind a nine-CD box set which you're selling off your website and also re-issues of the bands entire catalogue that you're been remastering, correct?

MP : Yeah that's right, that's how it came about. I didn't realise how much interest there would be in a body of work which was recorded between '81 & '91. It's been quite phenomenal & sort of led to me putting this whole tour together.

Yahoo! : At this point, what made you decide that it was time to bring The Alarm name back out? I mean you've been working on solo projects on and off the past few years.

MP : Well mainly because there's been so much interest in the songs, because when I left the band at the end of the first generation of The Alarm, the idea was that the three other members would have continued with the band and kept the music alive as a focal point. But that never happened, so as time went by, there was more and more pressure building on me to represent and play The Alarm songs. So rather than fight that, I decided that I would go with it.
I did try to put the original line up back together, but the guys all have other lives and they didn't want to do it so I thought that it was such a big thing to have all our records reissued that it was a good thing to go represent the music in the best and most honest way I could.

Yahoo! : By putting the 2000 at the end of it, you're making sure that people know that it's a different incarnation of The Alarm.

MP : Exactly

Yahoo! : But there are some people who would say that if it's not the full band then it's never the real band. What do you think about that? I know Eddie and all them have been talking about that a little bit I guess or actually Dave and all them have been talking a little bit about it in the press

MP : No it's only Twist. He was cool about it at first, but I think as some of the reviews started coming in and from the fans saying that it's as good as or better than the original line-up, it started to hurt a little bit, which is understandable. I think it was just that certain promoters bill it as The Alarm. It's difficult because I was the original singer in the band people make that assumption, but I'm not going to apologise for that, I wrote most of the songs, sang 99% of them. I think there's more good been done to The Alarm in the last two year than in the eight years when I wasn't in the band in the first place.

Yahoo! : Well tell us about the band that you've assembled for this tour - who's playing with you?

MP : Well it's basically a band which has come out of The Gathering, an event which I've run in Wales for the past 9 years, which is a celebration of the music of The Alarm anyway, and the band that have played at that is the band that is on the road.
It features Steve Grantly, who's the drummer from Stiff Little Fingers and there's James Stevenson on guitar, who's played with Generation X, Gene Loves Jezebel, The Cult, he's played in some good bands. And then Richard Llewelyn, from Wales who's a young bass player who's played on a lot of my solo material as well. The best thing about the band is that they know The Alarm inside out. They're played it to their most hardcore fans for the past nine years.

Yahoo! : It's funny, I was remembering when The Alarm first came out, or at least came to this country to tour, back in '81 / '82, the way you were marketed was that you were a punk band playing acoustic guitars. I remember everybody was "wow a punk band playing acoustic guitars". It's so funny now it's very common for bands to play unplugged and do that, but at the time I guess it was unusual to have a rock band up there not playing electric.

MP : I guess that's what set us apart, what was confusing for a lot of people was that we were a band built around songs. Everything since The Alarm stopped making records, I've been able to play every song live on an acoustic guitar anyway. All the songs I wrote for The Alarm were written on an acoustic guitar. What I felt was that the acoustic guitar live, at that point in the 80s, wasn't developed as a live instrument, it was very hard to get mikes and pick-ups which worked and made it sound good.
We used to drill holes in them and put humbuckers in and amplify the internal sound, the sort of spiritual sound you get from playing the acoustic guitar. I'm sure 99% of songs are written when somebody picks up an acoustic instrument, be it a piano or an acoustic guitar, and that's what inspired people to write the great songs of all time.

Yahoo! : So was that when you decided to go down that route back then, was it a reaction to everything else that was going on, or did it just feel really natural for the kind of songs you were doing at the time?

MP : It was really because we felt that when we were writing our songs and then trying to turn them into the electric environment of a band they didn't sound the way they did up here (in the head). So I thought, hang on, I've written all these songs on the acoustic guitar, why don't we just stick the pick-ups in them and play them. I think when you play loud sounds on the acoustic guitar, you think differently. Pick up a Les Paul or a Fender, you play in a certain way, but when you pick an acoustic guitar, you think differently, you think more "chordly", more power chords, and you can't even get up the high end, it's a deeper kind of thing so that was the kind of thinking behind it.

Yahoo! : I remember at the time there was U2, Big Country, The Alarm, a lot of people thought of you together, not only because you were playing guitars again, but there was a very positive kind of uplifting message to most of the songs that you were doing, which I guess, after the anger of punk, was very different. What were you trying to offer back then that maybe rock wasn't offering at the time?

MP : We just wanted people to believe in themselves, that's all. Even today, now, I tune in the radio and I hear a lot of music that has a very negative, aggressive force behind it. I think America's just got punk for itself again. There's been a rise, since Nirvana really, it's been very aggressive music, and it was similar in Britain, a very negative aggressive force coming through that would spill over in violence and we weren't into that. Our message that we gained from punk, living in the suburbs, was much more positive, it was about doing things for yourself and not just about accepting the status quo, but making small changes. And that's what we were trying to pass on to our audiences to say that no one can make your life for you, you have to go out and make it for yourself.

Yahoo! : And the songs today I think, hearing them now, a lot of them do still resonate. It's interesting to hear if you listen to a lot of the bonus tracks that have been attached to some of the albums, and also some of the box-set rarities, even the stuff that got left in the closet sounds really good. There's a version of One Step Closer To Home that sounds just tremendous. And you've actually been introducing that at some of the shows as your favourite Alarm song, even though you didn't write it, it's one of Dave's songs.

MP : It is, that's right. I wish Dave had written more songs for The Alarm, he's a really talented writer, that's one of the things that I regret about The Alarm, that he didn't really push himself as far as he could do as a writer, within the context of the band.

Yahoo! : So what is it about One Step Closer to Home, for example, that makes it stand up to you, considering it's not even your song?

MP : Well partly that I don't have so much emotional attachment to it if you like. It's very hard about your own songs which you've written to say which is your favourite. They become very much like your little children and it's very hard to differentiate between them, so when I step back and look at The Alarm, I just think that Dave wrote a most incredible song, which has grown over the years, lyrically. As people have lived their journey, a lot of the time we were making that music to appeal to younger fans than ourselves, those fans have gone through life and reached the age where we were writing those songs and gone beyond it - some of the songs have stayed with them. I know from doing all the dedications that I do for the box set, that some of these songs have really saved some people's lives through some of the lyrics. Again, that's why I wanted to play those songs because I felt that over the last ten years, The Alarm's disappeared off the face of the planet, musically, the songs have not been represented, excepting acoustic settings by themselves. So I wanted to put that music back on the map, and put it back where it belongs.

Yahoo! : You mentioned dedications - this is a very unusual element of the box set is that you can buy the single albums in stores, but if you go on thealarm.com you can buy a 9 CD box complete and in addition to the 9 albums you get a bonus CD of rarities and you get a song personally dedicated - how is that working?

MP : It's amazing because I didn't think there's be as much demand as there was, I thought that it would be just the die hard fans who'd want to go all the way. I wanted to personalise it in the same way I try to personalise every show I play, I try to don't say the same things, play the same set, I try to make it different. I thought these are the best fans we've ever had, they've been buying into this, have lived with this music for twenty years - I wanted to make a really big gesture to them I had the technology and the way to do it, so I thought yeah, I'll go that way.
So when everybody buys the box set, they can choose their own song, choose a dedication and I'll record it in the studio, or as is the case on the tour, the Second Generation tour of America right now, people are coming to the shows and requesting them, I'm playing them live and recording the shows, burning them onto CD, they go into the box set and they go home.

Yahoo! : Of the songs, what is number one song that everybody seems to be asking you to dedicate?

MP : To be honest with you, it's probably not one of the big hit singles, it's probably Walk Forever By My Side, which a lot of people have had played at their weddings. I even did a recording the other night for a guy who's going to have it played at his funeral. Then Spirit Of '76 is a big song for a lot of people - it's autobiographical for me, but I think it transfers into a lot of peoples lives - the optimism and looking back and never having any regrets is part of what the song tries to convey and people take a lot from that song, and want to remember the band through that song.

Yahoo! : And you've got this coming out on 21st Century Recordings, which is your own label. Is this designed specifically for The Alarm re-issues or are you going to be doing other things on there?

MP : No , we're up to about twenty titles on there. I started it in '91 when we started the website and it's just grown and grown. Obviously all the music which has come out through it, I'm at the core of it, but I don't just see myself as doing one thing, I see myself being multi-dimensional. I've done acoustic records, I've done a soundtrack for a play which is out there, obviously all the Alarm records are out there. I have a band with Billy Duffy of The Cult called Coloursound, and we put that record out in Europe and that's done amazingly well. Now I've got a lot of labels trying to pick up my catalogue and there's a lot of interest in it all, which is great. It's a real cottage industry which has grown and grown.

Yahoo! : Are there artists signed as well or is it just your projects?

MP : That was really the idea. I have a big communication thing with the fans and I always liked the fact that they were trading stuff, I wasn't really against that because I thought that anyone who trades buys all the official stuff anyway. I always felt that with the internet, the ways of sharing music was opening up on a much wider scale and you could be more of a fan about your own music. You didn't have to impress. I was making certain records for record companies, but I was also making records that were on a smaller scale. I don't think all music has to be made to be global.
I think sometimes you're making music for a smaller dimension than that. Once I started putting those records out, only small numbers, but they have grown obviously since then, but there's something quite nice, something liberating about not having to think that this bit of music is going to go into an A&R meeting or be judged at radio or by the press. It's just something I wanted to share with the fans on a smaller level. We will make other ablums to try and push the button and try and reach a wider audience, but I think it's nice to be able to express yourself that way and not feel too pressurised by the music industry.

Yahoo! : I know that at the end of the year at least the American leg of this Alarm 2000 tour ends, are you going to carry this on into 2001?

MP : I go back from the American leg and we start a British tour in December and that's going to be quite a big affair. The first Alarm 2000 shows were with Big Country at the beginning of the year and it just sort of took off in Britain and Europe. So the plan is now, initially I thought maybe it was only a short term thing, but it's kind of grown and grown and I do feel I want to put the music of the band back into people's minds again. Through doing the box set and the tour, people will re-appraise where The Alarm stood in the musical history that we know. So my aim is to have fun and see where it goes but there'll definitely be more shows in America in 2001.

Yahoo! : Great, well looking forward to seeing the new band tonight, thanks for coming in.

MP : Thanks a lot.

November 29,   2000
MIKE PETERS RADIO APPEARANCES ON BBC MERSEYSIDE AND NEWCASTLE'S METRO FM

Mike Peters appears on 2 radio shows this week following on from the successful Radio 2 show last week.
 
On Weds Nov 29th, Mike records a special show with Spencer Leigh at BBC Merseyside. For requests/ messages to Mike please call Spencer on 0151 708 5500 for further transmission details.
 
On Weds Nov 29th Mike records a special show for Alan Robson at Metro FM. Transmission takes place at 10pm. For requests/ messages to Mike, please call Alan on 0191 421 0401/ 0191 420 0971
 
Regional newspaper articles on the Alarm 2000 Second Generation Tour are popping up all over the country. Please watch your local press.

November 21,   2000
Mike Peters and the MPO Rock Radio 2!

Mike Peters rocked Radio 2 with a little help from his MPO friends. As Mike arrived at the Pebble Mill studios, DJ, Janice Long and long-time supporter of The Alarm was thrilled to welcome Mike to her BBC Radio 2 studio.

The mountain of email and faxes awaiting Mike's arrival was amazing - the BBC staff were astounded at the response to Mike's appearance on the show.

After some introductory chat with Janice, Mike played 'The Stand' and then Janice valiantly relayed as many email questions as possible to Mike, leading up to the news.

Emails, faxes and phone calls were bombarding the studio and Janice's assistant struggled vainly to ferry the requests from the control room to the studio where Janice and Mike were catching up on old times like hanging out in Erics, Pete Wylie and the Children of the Revolution.

Mike then played a moving Walk Forever by my Side for a delighted Janice followed by a hastily concocted Alarming Mike Medley which had Ms. Long bouncing around the studio with glee. (Marching On... Where Were You Hiding When the Storm Broke?... 68 Guns...Spirit of 76....Knockin' on Heavens Door)

The BBC World Service meant that many MPO members were able to listen to Mike on air and both Janice and Mike were thrilled to receive emails from as far afield as California, Philadelphia, New York, Florida and even Canada, not forgetting all over the UK...

Mike and the MPO would like to make special thanks to all the MPO members who contributed to the show and helped to make the session such a treat.

November 20,   2000
Rock The City Guitar Auction + Plus New Charity Show with Charlie And the Hard Travelers!

CURENT HIGH-BID
£1000 from a bidder in Surrey

NEW SIGS ON ROCK THE CITY AUCTION GUITAR!

Patti Scalfia (Springsteen)
Willie Nile
Joe Grushecky
Joe Durso

(See Below for more info on Rock The City Guitar Auction)

CHARITY SHOW WITH CHARLIE MCINTOSH and THE HARD TRAVELER'S

After a successful "Rock The City" show in September for the Pendlebury Children's Hospital and a recent appearance with Joe Grushecky and Bruce Springsteen in New Jersey for Parkinson's disease, Charlie McIntosh, (Dave Sharp's guitarist and right hand man for ten years) is back, this time again Rockin'and Rollin' for the Pendlebury Children's Hospital Christmas Fund in Manchester, England. This show will raise money to buy the kids some special gifts for Christmas.
CHARLIE MCINTOSH and THE HARD TRAVELER'S
Stage 9:00PM
Sunday December 3rd at the THE TOWN HALL TAVERN, Eccles, Manchester.
Special Charity Christmas show for the Pendlebury Children's Hospital's
Christmas Fund.
There will be NO admission charge, but donations will be taken on the night.

The Town Hall
Church St
Eccles, Manchester
Tel: 0161-707-8106

OLD INFO ABOUT ROCK THE CITY GUITAR AUCTION

Autographed Guitar to be auctioned off for the "Rock The City" charity.
Signatures include:

Joe Bananno
Dave Sharp
Mike Peters
Twist
Kirk Brandon
Toby Bourke
Huey from the Fun Lovin' Criminals
Big Paul Ferguson from Killing Joke
Joe De Lorenzo from the Hard Traveler's
Sonny Barger (the founding father of the HELLS ANGELS)
Charlie McIntosh

Signatures to be added soon will include:
Bruce Springsteen
George Michael
Eddie Macdonald
and more!

A brand new white Fender Telecaster guitar (kindly donated by Bob Bell
from Music Exchange of Manchester/Stockport) is being auctioned off to raise money for the Royal Manchester Children's Hospital as part of the "ROCK
THE CITY" Charity Concerts.

Don't miss out on owning this piece of Rock and Roll memorabilia.
Put your bids in NOW!!
Please E-mail all bids to: charlie@charliemcintosh.co.uk
All bid updates will be listed at www.charliemcintosh.co.uk

As Of 1-10-2000, Top Bid So Far £500 From Paul in London.

November 19,   2000
MIKE PETERS AND JANICE LONG ON BBC RADIO 2

Mike Peters will be appearing on Janice Long's BBC Radio 2 show next Monday night/Tuesday morning (Nov 20th/21st) (approx Midnight - 2am GMT). Janice will be interviewing Mike at length and Mike will be performing live on the show.

Mike would love to hear from you while he is live on air so don 't be shy... please telephone, email Janice Long/Mike Peters at Radio 2.

Phone: 0500 288 291 (open during the show)
Fax: 0121 606 0499
Email: janice.long@bbc.co.uk

http://www.bbc.co.uk/radio2/shows/janicel_show.shtml

The show can be also heard on the internet.
BBC Radio 2 webcasts using Real Audio at http://www.bbc.co.uk/radio2/listen_pop.shtml

November 18,   2000
ALARMING NEWSLETTER NOVEMBER ISSUE

Dear MPO Member

Following on from the successful release of The Alarm 2000
Collection, and last month's much lauded North American Second Generation tour, Mike Peters and Alarm 2000 continue their blistering performances with a return to
British shores.

The UK tour begins on December 4th until December 15th finishing at
Shepherds Bush Empire, London. The UK tour is being promoted by SJM
Concerts.

MIKE ON THE BBC
RADIO AND TV
In the lead up to the UK tour, Mike and the band will be appearing on
BBC1 TV (approx 5 minutes to midnight) as part of Children in Need (Nov
17th). Mike and the band will be performing Happy Christmas; War is Over as
part of a tribute to 1980 (the year in which Children in Need began) and in
memory of John Lennon whilst Paul Weller will be performing Imagine.

Mike Peters will be appearing on Janice Long's BBC Radio 2 show next
Monday (Nov 20th) (approx 11pm -1am). Janice will be interviewing Mike at
length and Mike will be performing live on the show. Please feel free to
contact Mike whilst he is live on air (please contact www.bbc.co.uk)


MIKE PETERS / ALARM 2000
[SECOND GENERATION UK TOUR]
special guest: SPEAR OF DESTINY
4th Dec Glasgow Garage 0141 339 8383
5th Dec Newcastle Uni 0191 233 0444
7th Dec Leeds Cockpit 0113 244 4600
8th Dec Wolverhampton Wulfrun 01902 552121
9th Dec Liverpool Lomax 0151 707 9977
10th Dec Sheffield Leadmill 0114 275 4500
13th Dec Nottingham Rock City 0115 941 2544
15th Dec London Shep Bush Empire 0207 771 2000
16th Dec Cardiff University 02920 387 421
17th Dec Manchester Uni. 0161 832 1111
National CC Hotline 0115 912 9000 www.gigsandtours.com
**********************************************************************
******
**************************(Please note that Cardiff and Manchester
dates
have been changed to the 16th and 17th respectively as above)
**********************************************************************
******
**************************

ALARM 2000 9CD BOX SET
AVAILABLE TO ORDER NOW:
99.99 + 3 P&P (UK) 5 (EUROPE) $168 + $10 P&P (NORTH AMERICA)
Please submit your choice of Alarm song and dedication with order.
Delivery
takes 21 days.


ALARM 2000 REVIEWS
***** Record Collector "The Alarm are finally being recognised as the
forefathers of Cool Cymru, and not before time!"

***** Classic Rock "amazingly comprehensive"

***** Guitarist Magazine " A truly staggering achievement... a real
credit
to the band..."

*** Q "The Alarm's stomping rock lit up a moribund 80's musical
landscape......10 hour collection with enough demos,
alternative versions and rarities to keep diehard fans in raptures
forever."



ALARM 2000 US REVIEW
Strength, Perseverance Fuel Alarm Return In Los Angeles
Oct 13, 2000, 11:00 am PT


Mike Peters
While only a remnant remains of the original Alarm lineup -
singer-songwriter Mike Peters -- the music of the Welsh-based,
socially-conscious rock outfit is still as powerful as ever, as
evidenced
by the kickoff of the band's 2nd Generation tour at the Key Club in
West
Hollywood, Calif. on Thursday (Oct. 12).

Appropriately enough, Peters and his Alarm 2000 counterparts
(guitarist
James Stevenson [Generation X, Gene Loves Jezebel], drummer Steve
Grantley
[Stiff Little Fingers], and bassist Richard Llewellyn), launched
into
"Marchin' On," from 1984's Declaration, to kick off the first
American
show in nine years billed as the Alarm. For Peters, who has
achieved mild
solo
success in the U.K. since the band's breakup in 1991 and still has
a rabid
fan following across the pond, the sentiment rings especially true.
The
41-year-old Welshman battled throat cancer and a 60 percent chance
of
survival decree by doctors in 1994 and -- in a much less important
fight
by comparison -- I.R.S. Records for control over the entire Alarm
back
catalog, both of which he won.

So to say its been a long and winding road for Peters to Thursday's
show
in West Hollywood would be to say the Pope is Catholic. As the
anthemic
rock
battle cries began spouting forth, many of which concentrated on
1985's
Strength, it became clear the performance would not only be a
lesson in
nostalgia but a seminar in evocative rock and roll as well. In days
where
inconsequential teen pop and uninspiring rage rock rule, true
songwriting
with a message and a meaning goes a long way, even if it comes from
a band
which never could shake comparisons to U2 and hasn't stirred the
masses in
a decade.

As Peters and his Alarm version 2.0 rattled off the first five songs
("Marchin On," "Where Were You When the Storm Broke?" "Knife Edge,"
"Deeside," and "Majority") like rapid-fire semi-automatic machine
guns,
with little or no break between, the Key Club assembly fired lyrics
right
back in
appreciative retaliation. Peters introduced "One Step Closer to
Home" as
his favorite song the band ever did, despite the fact that original
guitarist
Dave Sharp forgot the initial version after a three-day bender.
Despite
that setback, the electric version of the song appeared on
Strength, while
a
gorgeous acoustic version surfaced later on 1987's Eye of the
Hurricane.
Thursday's crowd was treated to the former, which bellowed with as
much
earnest as it did back in 1985.

Even more touching, however, was Peters' fan dedication. For those
who
don't know, Peters has re-released the entire Alarm back catalog in
box
set
fashion at thealarm.com (allstar, Sept. 11) and fans who purchase it
receive a personal dedicated song of their choice, which Peters will
record
especially for the occasion, with their set. Peters aims to handle
as many
of those requests live as possible, so Thursday night Alarm fanatic
Tony
Fox granted his wife the gift of a lifetime -- a poignant rendition
of
"Walk
Forever by My Side," complete with a relayed message from Peters,
which
the couple walked home with in CD form.

As the night worn on past Midnight (the band didn't surface until 11
p.m.), the one-two-three punch of 1987's "Rain in the Summertime"
and
"Rescue Me"
and 1985's autobiographical "Spirit of '76" captured the pure
essence of
the Alarm. If not for being three of the group's most popular
songs, but
for
capturing a moment of days gone by. As Peters sang "We had
something going
once, but that was a such a long, long time ago," one could
imagine -- if
even for a fleeting moment -- that rock and roll was free again.

Alarm set list:
1. "Marchin' On"
2. "Where Were You Hiding When the Storm Broke?"
3. "Knife Edge"
4. "Deeside"
5. "Majority"
6. "One Step Closer to Home"
7. "Unsafe Building"
8. "Absolute Reality"
9. "We Are the Light"
10. "Walk Forever by My Side"
11. "The Deceiver"
12. "The Stand"
13. "Sold Me Down the River"
14. "Strength"
15. "Rain in the Summertime"
16. "Rescue Me"
17. "Spirit of '76"

Encore:
18. "68 Guns"
19. "Blaze of Glory"
-- Kevin Raub



Alarming 2000
FEEDBACK!!!!


I'm certain many will be writing in on this show....I just got back
and all
I can say is "#$%@ 'n BRILLIANT !!!!!"
I've been to a lot of shows... It was so incredible to have him do
that
outside acoustic number... what other
artist would do such a thing! that's why we admire him, and that was
just
an incredible moment for me.... it was like I was at a Gathering
or a campfire (since I haven't been to a Gathering!).. Not to mention
the
ENTHUSIASTIC crowd! I've never seen so many HYPED up
people in a long time!!!!
You guys are in for a real treat! Thanks M.P. !!
Mike S, Brave Bull, San Gabriel, California (last U.S. show this year)

I wanted to send a note to let you know how much I enjoyed the show at
the Galaxy last Friday night. You were as incredible as ever and I
can
honestly say that show was one of the highlights of my life. After
not
seeing/hearing from you here in the States for sooo many years, it was
actually quite an emotional experience. "A long time coming", my
friend.
k Gallagher, Galaxy Theatre, California


It is great to be able to stand right in front of the stage and get
what
seemed like a personal show. I've been around since Declaration and a
turning
point in my life was being in the front on Jan Steps at UCLA for the
Spirit
of 86. With this last show, I have had the honor of seeing you 24
times.
Any chance I can get a pick?
I can play your entire song list It would be nice to have a pick from
the
songwriter that carries the torch handed to him by Bob Dylan and Woody
Guthrie before him\Keep it up
Henry, Buffalo Rose, Golden Colorado


Everything an Alarm fan would want to hear was played. Where
Were You Hiding When the Storm Broke? was supercharged, and 68 Guns
had
everyone in the crowd screaming along to the anthem! ...a non stop
barrage
of fired up rockers like Strength, Absolute Reality, Unsafe Building
The
Stand, Rescue Me, a wet Rain in the Summertime thanksto the bottled
water
onstage (Mike Peters spit on me!) and of course the
crowd favorite Spirit of '76. The crowd was singing along all night,
but
Peters stepped away from the mic to allow us our turn at lead vocals
on
'76 and the full house did not disappoint, screaming out "I can
hearthem
now!" in the appropriate spot!
R,P Buffalo Rose, Golden Colorado


Saw you in Missoula, Montana --- it was great!!!!!!
Carl, The Ritz, Missoula, Montana

Hey Mike, are there plans to come to the Atlanta area during this
tour?
I'm a huge fan of The Alarm dating back to your EPs release in 1983.
I have
to admit, I
sort of lost touch after Change but have recently been experiencing
an Alarm
renaissance. This is my first time to your website and I'm
distraught to
learn that I missed you in my home town when you played in Hollywood
and at
the Galaxy.
Wesley G, California


It looks like 2001 is finally the year for me to make the Gathering!
Erik F, New York


I am so happy that you are keeping The Alarm alive and well. The
Spokane
show was great. I felt all of the powerful feelings that I felt 10
years
ago. I wish that I would have known you do dedications before the
show. I
definately would have requested one for Walk Forever By My Side. I'm
very
moved ever time I hear it. Please keep the spirit alive for those of
us who
remember The Stand on MtV and for the new generation. Thanks again
for a
great show and I hope to see you back on the road soon.
Tracy, Boomerangs Spokane, Washington

Terrific show last night at Dallas' club dada! How your voice never
cracks is a total mystery. Needless to say, you sounded great and
were a
gracious frontman. I first saw you guys on the "Strength" tour at the
Bronco Bowl. Anyhow, I just wanted to thank you for an evening of
memorably
heartfelt, impassioned, fun music.
A. L Graham, Club Da da, Dallas, Texas


We all had a great time at the Lincoln, Neb. show on Saturday. It was
an
amazing set, and thanks so much for the dedication. My fiance Nikki
and I
really appreciated your playing "Walk Forever..." for us, it made for
a
truly special moment. You definitely made the drive down from
Minneapolis
worth while!
J Wood Lincoln, Nebraska (Minneapolis)

I just wanted to congratulate you on a great show last weekend...I was
really impressed I was by the show. The new band was
tight, but what I really thought was great was the way you busted
your ass
on stage for that crowd. I then checked out your website. I didn't
know how
"eventful" the '90's
had been for you. But I'm glad your health is back and that you were
able
to track down all those elusive IRS master recordings. I think the
2000
tour is a great idea, and I hope it's been a load of fun for you.
Finally, I
saw a bunch of locals at the show (who, as I overheard before
the show, didn't know anything about The Alarm) up on their feet,
dancing,
as soon as you roared through the first few tunes. The point being--
just in
case you were wondering--the songs still sound
fucking great. Best of luck,
Corbet H Omaha, NE



CHILDREN OF THE REVOLUTION
Mike Peters' all time favourite band, CHILDREN OF THE REVOLUTION
have just
announced that they have signed to Mike's label, 21st Century.
Their new
album 'IV' (including the classic 'Allthe World It's
Christmas
Time' written by Mike Peters) is available now, just in time for
Christmas.

Order your copy from
MPO now Tel: 01745 571571 [Price 14.99 + 1 p&p]
TO CONTACT MPO:
TEL 00 44 (0)1745 571571 FAX 00 44 (0)1745 571577 EMAIL
mpo@a... www.mikepetersweb.com

HOW TO MAKE CONTACT WITH THE FOLK AT
MPO



MPO P.O. Box 709, Prestatyn, Denbighshire, Ll19 9YR, Wales, U.K.
Tel: 011 44 (0) 1745 571571
Tel: 011 44 (0) 1745 571577

email mpo@a...

www.thealarm.com
www.coloursound.com
www.mikepetersweb.com

November 14,   2000
MIKE PETERS AND ALARM 2000 ON BBC TV

MIKE PETERS AND ALARM 2000 ON BBC TV
This week on November 17th you will be able to see Mike Peters and Alarm
2000 performing on BBC1 as part of Children in Need. This special
performance will be broadcast across the UK at approximately 5 minutes to
midnight. Mike and the band have been chosen to represent Wales by
performing Lennon's 'Happy Christmas; War is Over' as a contribution to the
1980 theme of this year's Children in Need which commemorates John Lennon's
tragic death in December that year. Paul Weller will be representing
Englaand performing Lennon's 'Imagine'.

November 13,   2000
US Rock The City Show Confirmed

The date for the "Rock The City" show at the legendary Stone Pony in New Jersey, USA has been set for Saturday April 7.

Acts confirmed so far are:
Dave Sharp and the Hard Travler's
Charlie Macintosh
Toby Bourke
Bruce Tunkle (www.brucetunkel.com)
Joe D'Urso(www.jdcaravan.com)

The rest of the lineup is not yet confirmed, but it will be a good one, a real Jersey Shore party!
Ticket details to be confirmed.

There is the possibly of a few more shows in N.Y. during that same week/weekend. Nothing confirmed as of yet, but it is still early days, check this site or www.dave-sharp.co.uk regularly for developments.

Anyone needing info about travel and etc. to New Jersey, can email Charlie Mcintosh at charlie@charliemcintosh.co.uk

November 10,   2000
Mike Peters Video Interview Posted On Yahoo!

A great video interview has been posted on yahoo.com with Mike Peters.
View it here:


Yahoo Interview